|
sarbani sarkar rath |
|
|
|
|
| Tattva in Mantra Shastra | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Related pages
Further reading |
ïI g[ezay nm> Mantra Çästra: A Few Principles for Remedies[1] A Study of Rävaëa’s Uòòiça Tantra Gati: The Direction of the Mind (Moon)Once upon a time, many eons ago, at the time when Çré had left the gods, Çiva blessed the High Priest of the dark side, Çukräcärya, with the unequivocal Måta Saïjévané knowledge, by which the asuras (demons) came back to life from the dead, irrevocably more powerful and supreme as conquistadors. Shaken by this turn of events, the gods approached Lord Viñëu, who assuming the form of a unique tortoise[2] assisted the devas (gods) in churning[3] the Milky Ocean[4] whereby Amåta, the Nectar of Immortality could be extracted. In this epochal exercise, Viñëu used the magnificent Mandär Mountain as the churning rod and the Divine Serpent, the multi-headed great Väsuki, as the churning rope. Viñëu arrived on the shores of the Milky Ocean with Garuòa, having hauled Mandär on the way, like a puny toy. Upon arrival, he bade farewell to Garuòa and send him off, for Väsuki would not emerge even by mistake, as long as Garuòa was present. In his supreme wisdom, Viñëu knew, even the Divine Serpent Çeça Näga would tremble in the presence of the greatest eater of snakes. Garuòa is a bird, admittedly a divine bird, and so represented by the Sun, while Rähu represents snakes. Though the latter has the power to eclipse the former, the Sun is the one who exposes Rähu. Mantras of Garuòa are therefore the supreme remedy for sarpa doña or those troubled by serpents of all kinds. The simple mantra for warding of serpentine evils, om pakñé svähä is chanted in reverese as kñipa om svähä, prempting Rähu’s misdeeds of reversal. For whilst chanting a mantra for cutting the bondage of snakes, Rähu would do his utmost to reverse the process. Kñipa om svähä would thus automatically become om pakñé svähä[5]. Both the devas and the asuras participated in the churning of the Kçérasamudra, and after the preliminaries were complete, Viñëu proceeded towards the head of Väsuki, followed by the other gods. The asuras, slighted at the thought that they had to occupy the lowly tail of the Great Snake, ranted that the reputation of their birth and karma, prevented them from occupying such an “inauspicious” position as the tail of a snake during the grand event of the churning of the ocean. Viñëu smiled and without hesitation headed towards the tail of Väsuki with the devas. For he knew, that it was natural for the asuras to opt for the snake’s head as it represented material enjoyment and abhorr the thought of sitting near the tail, which led to the spiritual path and eventually towards emancipation. The head of the snake was thus occupied by the asuras while the devatäs sat on the tail. Astrologically depicted, the head of the snake is Rähu and the tail is Ketu. Jupiter, Sun and Ketu are posited on the tail, on the mokña märga (path of renunciation) while Saturn, Mars and Rähu are stationed at the head, on the bhoga märga (path of material enjoyment). The Moon is stationed at the centre of the snake, perfectly poised. It depends on the direction of the mind, as to whether the Moon will veer towards Rähu or Ketu, that is, is the mind moving towards a material or a more spiritual path. The churning of the ocean initially released a terrible poison, Kälaküöa, which was subsequently consumed by Çiva[6]. The act of churning affects the indriyas (senses) through this poison and the indriyas in turn, have an impact on the mind. The different grahas aspecting the Moon thus influence the mind through the indriyas. Once the mind is affected it becomes biased and it is no more in perfect balance. It therefore calls for protection, and this protection is provided by mantras. The ultimate aim of mantras is to detach the mind from the indriyas and make it move towards Om. For Om is the one thought, and one vibration, the singular truth towards which the mind should be focussed. This is the perfect mantra, the pure sätvik chant that makes one seek out that unique vibration that is the source of all reality. Mantras which operate at the level of the indriyas, deal with the material plane and are of three types. They are räjasik by nature and can even be tämasik depending upon the nature of the mantra and the purpose of use. The mantras will work through the ärüòhas as the mana works through the ärüòhas. Table 1: Basic Structuring
Chhanda[7]: The Rhythm of Everyday Work (Sun)The Sun, resplendent and glorious in his twelve forms, as the ruler of the day and the lord of the grahas, is the controller of Time. The different käla sankhyäs or the measurements of time like kñaë, muhürta, divasa, rätri, pakña, mäsa, saàvatsara, åtu, ayana and yugas are the different parts of his amazing one-wheeled chariot. Without Äditya, there can be no dimension of time and no order in the universe. The Sun’s basic measurement of time on earth is from sunrise to sunrise, as it traverses the complete round of the twelve räçis, demarcating the period into day and night, aho and rätri. The Sun executes the entire material work of the universe in seven chhandas, which are directly connected to the seven days (vära) of the week and the hours (horä and käla) of the day. The chhandas in the form of seven horses pull the Sun’s chariot through its course in the skies, across day and night, the twelve months, the summer and the winter solstices. These seven chhandas are gäyatré, triñöup, jagaté, anuñöup, paàkti, båhaté and uñïik. Material creations are associated with rasas (flavour) as everything is defined in terms of the seven rasas. The seven rasas and chhandas correspond with each other as each chhanda activates a rasa within us. For example, the gäyatré chhanda activates the sweet or madhur rasa. Mantras are set to the rhythm of these chhandas, which resonate to a certain vibration within the chanter. Ñaökarma[8]The sixth house of the zodiac is replete with negative connotations both within and without the native, of diseases, enemies, conflicts, litigation, battles, injuries and the ñaòripu[9] or the six flaws of man, which are the internal enemies by which the mind is increasingly attached to the indriyas. One can control and eventually eradicate these ripus or internal enemies by changing the guëa of the mind through mantras. Similarly, the evils of the sixth house can be mitigated and sometimes conquered through remedial intervention. Daçänana or the ten headed demon king Rävaëa, in his magnum opus, Rävaëa Saàhitä, (which is a veritable treasure of astrological nuggets and secrets of mantra çästra), wrote the Uòòéça Tantra, a unique book on remedies. Rävaëa’s tremendous knowledge and his devotion to Lord Çiva are legendary, and it is by appeasing the Trident-holder that he acquired his brilliant knowledge of the mantras. Prior to embarking upon his battle with Çré Räma, Rävaëa prayed intensely to Çiva and the great lord himself imparted this special knowledge of mantra çästra to Rävaëa in his own words, which he in turn, penned under the title of Uòòéça Tantra. The Uòòéça hinges on the principle of the five elements or the païca tatvas, hinting that when there is a tatva imbalance in the horoscope it may be rectified by the correct remedial measure. Çiva begins his discourse to Rävaëa by classifying mantras into six categories, which he calls the ñaökarma or the six kinds of action. Table 2: Shatkarma
Çänti is the best and the only sätvik karma and should be performed at all times and for all purposes. It can pacify malefic planets (krüra graha doñas), remove disease, restore health and give hope and peace to the dejected and depressed. Vaçékaraëa includes the entire gamut of mohana mantras, used to attract another person, especially those of the opposite sex. It is not recommended that these methods be resorted to ensnare another human being as it is not based on true emotions between two people and may wean off after the effect of mantra wears out. Stambhana is the power to freeze someone into inaction and can stun a person’s speech or any of his bodily functions. Vidveñaëa creates rifts and enmity between people, often among couples, business partners, family members and friends. The next two karmas are tämasik in nature. Ucchäöana are extremely tämasik mantras and can harm a person seriously by expelling him (ejection) from his home, office, or country. Märaëa is the worst karma any human being can perform, that is killing or robbing someone of his life including a trail of destruction. While reading the Uòòéça, it must be kept in mind, that Rävaëa received this knowledge immediately before he waged his final war with Räma. He had received it as an answer to his request of learning techniques for this specific purpose, i.e. to destroy the huge Vänara Senä or the Monkey Troops, who had amassed in hordes across the waters of the Indian Ocean, led by the King of Ayodhyä himself, the great Çré Rämachandra and his brother Lakñmaëa. It then becomes clear as to why there are mantras for death and destruction, of parting the waters, of flaming houses, of creating enmity and separation between people, of mohana or attraction mantras, which were probably used to deploy women spies in the enemy camp. This is a tantra designed specifically for the purposes of war and it is apparent that these war-designed principles spilled over in the later days to form the substance of tantra based mantra çästra and incorporated into the daily lives of people. Hence räjasik and tämasik mantras designed for war and politics, came into vogue for common usage. Such mantras are prescribed ad lib by many astrologers in the modern era as remedial measures. Nevertheless, it conceals some high principles of mantra çästra and it would be our task to glean it out as the swan weans the milk from the water. Table 3: The Deities of Shatkarma
Table 3 details the deities, direction, time, season, day, nakñatras, tithis and lagnas appropriate for carrying out these ñaökarmas. This seems to follow a predictable pattern. Riktä tithis like amävasyä and kåñëa caturdaçé, directions like Naiååtti (the inauspicious southwest ruled by Rähu) and Väyu (the west ruled by Saturn), days like Saturdays and Tuesdays and the predominance of malefic planets are suggested while performing tämasik karmas. Sätvik and more benign karmas are suited for Thursdays, Wednesdays and Mondays, tithis like pürëimä, païcamé and tåtéyä, and directions like the Éçäna, which is ruled by Jupiter and is the best for knowledge, spirituality and blessings. The interesting lesson here is on the suggestions about time. The six seasons are mapped onto the day starting at local sunrise, with each season being allocated four hours each. This has been worked out in Table 3 using a default sunrise time of 6 a.m. Béjas in ÑaökarmaTable 4: Tattvas and Shatkarma
The Uòòéça provides corresponding béjas, äsanas and mudräs to the ñaökarmas. Béjas such as namah and svähä are used for çänti karma and sätvik mantras and remedial measures, while huà, the damana or suppression béja, is used for removing evils, dangers and for tämasik activities. Mantras are classified as masculine, feminine and neuter as well; with feminine mantras having a svähä ending, neuter mantras have a namah ending while masculine mantras end with huà phaö. Ägneya (fiery, hot) mantras end with oà. Mantras, which have the chandrabindu, are saumya (cool, peaceful) mantras. If a saumya mantra has a phaö in the end, it becomes an ägneya mantra, and if an ägneya mantra has a namah in the end, it becomes a saumya mantra. The form of the deity to be worshipped, their colour, posture and appearance are vividly described in the Uòòéça for each of the karmas to be prescribed. Tattvas in MantrasTable 5: Tattvas and Worship in the Paramparä
Tattvas are crucial for worship and remedial measures. The ñaökarma in the Uòòéça are associated with the five elements of water, earth, fire, wind and ether. Such karmas are performed when the corresponding tattva is rising. Tattvas are of a span of 6 minutes each and there are 240 tattvas in a day. Each day has 8 yamas of 3 hours each. Each yama is divided in two käla of one and a half hours. Hence, in a day there are 16 kalas. Each käla is divided into 15 tattvas each having a span of 6 minutes. From sunrise to sunset, there are 120 tattvas and from sunset to sunrise, there are another 120 tattvas. The tattvas are mapped starting from the lord of the day in the order of jala, agni, påthivé, väyu, äkäça. Therefore, for a Monday, the starting tattva would be jala, as the lord of the day is a jala tattva planet. The second set of 15 tattvas start in reverse. However, the paramparä and most traditions in India, teach a different set of béjas corresponding with the five tattvas, and the necessary remedial karma attached with them. The five planets with physical bodies, with the exception of the nodes and luminaries, are associated with these five elements. When any of these tattvas are afflicted in a chart, mantras with the appropriate béjas are to be chanted and remedial measures that incorporate the karma associated with the afflicted tattva should be performed. For example, if agni tattva is afflicted in a horoscope, then the native should be advised to light a lamp, above other worship rituals. Those who have an afflicted jala tattva should utilise water in worship rituals. Bowls of pure, clean water, sweetly perfumed and laced with sandalwood and camphor may be kept in the alter. It would help to remove the blemishes on many a jala tattva planet in a chart. Mantras can also be chanted putting one’s hand over vessels of water and then drinking it. Lighting of the lamp per se, is an important ritual for any worship and remedial measure. The oil in the lamp is the body and hence is a crucial indicator for remedies pertaining to health issues. The wick is the ätmä. If the wick burns completely it shows that the native has completed his karma, if half of the wick remains, it shows that some karma is to be completed. The fire is the longevity. Offering flowers to the deity, can remove vidveñaëa, as when the äkäça tattva is vitiated, enmity between people arise. Digbala and TattvasThere are two kinds of digbala; one from the lagna and the other from the ärüòha lagna. The lagna shows physical direction while the ärüòha lagna shows the ayana or the goal of life. The planets getting digbala will indicate a strong ayana. The tattvas are used for remedial measures to achieve these ayanas and to rectify it when it is weak and afflicted. The ayanas are mapped into the four kendras: Table 7: Dig and Ayana Bala
The two planets, which get digbala in the lagna, are Jupiter and Mercury. The lagna represents the dharma ayana. Dharma is at a dual level. One is at the level of the material/physical world based on the påthivé tattva of Mercury. This is governed by Gaëeça. The other is the sanätana dharma of the world ruled by sarvavyäpakeçwara Viñëu and hence indicated by Jupiter (Äkäça), and in this form he is Näräyaëa. Hence, Gaëapati and Näräyaëa are the two protectors of dharma. The dharma of the lagna is the ayana of man, which is Nara (man) + Ayana (goal). Sun and Mars get digbala in the 10th house, which is associated with agni tattva. The tenth house, which is the throne of the horoscope, is concerned with work and income, wealth and success. This is to do with artha çästra, which is concerned with the land and the world. The work performed is converted to energy and money. Problems in this area can be rectified by balancing the Agni tattva and making it positive. A strong and positive Agni produces a fabulous worker. Both Çürya and Çiva can be worshipped to strengthen the Agni tattva and for purposes of work. Saturn gets digbala in the seventh house and is to do with the käma ayana, which is to do with relationships, and desires in general. Saturn rules väyu tattva, and in the case it is afflicted, worshipping Çiva and doing karma associated with väyu tattva like burning many incense sticks, lighting a mustard oil rather than a ghee lamp, are recommended remedial measures. Moon and Venus gets digbala in the fourth house of mokña ayana, the abode of jala and the domain of sätvik karma. This is relevant for one’s spiritual life and çänti karma. ExampleChart 1: Agni Affliction | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||